A piece of flint, a tangle of vegetation, the worn contours of a bone: Monica Poole found ample material for her imagination in things easily passed over on a country walk.
Luca Giordano (Napoli, 1634 – 1705), La Vocazione dei Santi Pietro e Andrea all’apostolato, 1665 circa, Olio su tela, cm 192x252Private Collection Source.
Peter and Andrew are about to abandon their livelihood. Beside them, another fisherman remains absorbed in the catch, apparently oblivious to the encounter that will change their lives. That contrast between revelation and everyday work animates Luca Giordano’s The Calling of Saints Peter and Andrew, now receiving its first public showing at the MarteS Museo d’Arte Sorlini near Lake Garda.
Barbara Hepworth. Figure, 1933
Grey alabaster (Cumberland alabaster)
19 x 14.6 x 6.3 cm (7 ½ x 5 ¾ x 2 ½ in)Osborne Samuel Source.
A major retrospective opens in Milton Keynes, bringing the painter’s portraits, seascapes and early studies into the company of his familiar industrial crowds.