
Musée du Grand Siècle acquires ‘Allegory of the Tiber’
The oil painting, jointly attributed to Charles Le Brun and Gaspard Dughet, is intended for the Saint-Cloud museum scheduled to open in 2028.
Tuesday, 10 November 2026
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The oil painting, jointly attributed to Charles Le Brun and Gaspard Dughet, is intended for the Saint-Cloud museum scheduled to open in 2028.

· Acquisitions
The Musée de la Chartreuse secured ‘Saint évêque avec un orant’ at €48,000 hammer. Its attribution, the bishop’s identity and a proposed connection to a Metropolitan Museum of Art panel remain unresolved.

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Frankfurt’s Städel Museum has acquired one of Guido Reni’s earliest documented portraits, a painting whose authorship was rediscovered after it appeared at auction in 2004 as a work of the Roman School.

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La Tribune de l’Art describes a fair focused on Italian art, where export restrictions may constrain overseas buyers and a river scene dated c. 1588-1590 drew particular attention.

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The 24 September announcement links performances, family activities and food events to current exhibitions, before the Getty Center’s temporary renovation closure begins in March 2027.
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A postdoctoral fellowship is scheduled to begin in September 2027, followed by a Rijksmuseum exhibition on female leadership in the Habsburg Netherlands in 2029.

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The auction house estimates ‘Head of a Smiling Girl’ at US$60,000-US$80,000. Its catalogue records two earlier Christie’s sales that erroneously attributed the painting as Judith Leyster.

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*Monet: Painting Time* is planned to bring together more than 60 paintings, including 20 Water Lilies, while Tate conservators remove yellowed varnish from a collection picture.

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The reported €150,000 agreement brings the work into the city’s Renaissance museum, with its artist and original church still unresolved.

· Acquisitions
The former Speelman painting will return from its Houston loan for a Dutch museum tour. Artnet reports €11.4 million, while the vendor and intermediary remain unidentified.

· Acquisitions
A painting once considered a workshop product is heading to Los Angeles. The case for Velázquez brings together technical examination, a diplomatic exchange and a telling difference from a familiar print.