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Acquisitions

Acquisitions, newest first.

  1. Three painted panels in a gilt frame show the Flagellation, Christ as the Man of Sorrows between angels, and the Resurrection.
    Attributed to the Master of the Gréau Triptych, The Gréau Triptych, first quarter of the 16th century. Oil on oak, 83.5 × 193 cm. Musée de la Renaissance en Champagne, Troyes.Image published by Musées de Troyes. Source.

    · Acquisitions

    Troyes secures the Gréau triptych after it failed to sell at auction

    The reported €150,000 agreement brings the work into the city’s Renaissance museum, with its artist and original church still unresolved.

  2. A colf player prepares a stroke on the ice beside two dark-clad spectators, with skaters and buildings across a distant winter landscape.
    Hendrick Avercamp, Colf Players on the Ice, about 1625. Oil on panel, 28.5 × 51.2 cm. Jointly acquired by the Rijksmuseum and the Mauritshuis.Photo: Rijksmuseum. Image published by Artnet News. Source.

    · Acquisitions

    Rijksmuseum and Mauritshuis buy Avercamp from a British private collection

    The former Speelman painting will return from its Houston loan for a Dutch museum tour. Artnet reports €11.4 million, while the vendor and intermediary remain unidentified.

  3. Bust-length portrait of the Count-Duke of Olivares, turned towards the viewer, wearing dark armour with gold bands and a red sash.
    Diego Velázquez, Portrait of the Count-Duke of Olivares, about 1626. Oil on canvas, 60 × 48 cm. J. Paul Getty Museum.Image: Getty Museum. © 2026 J. Paul Getty Trust. All rights reserved. Source.

    · Acquisitions

    Getty acquires rediscovered Olivares portrait after Velázquez attribution

    A painting once considered a workshop product is heading to Los Angeles. The case for Velázquez brings together technical examination, a diplomatic exchange and a telling difference from a familiar print.